{"id":8433,"date":"2021-03-06T19:19:05","date_gmt":"2021-03-06T19:19:05","guid":{"rendered":"http:\/\/martaizquierdomunoz.com\/collaborators\/eric-martin\/"},"modified":"2021-03-06T19:19:09","modified_gmt":"2021-03-06T19:19:09","slug":"eric-martin","status":"publish","type":"page","link":"http:\/\/martaizquierdomunoz.com\/en\/collaborators\/eric-martin\/","title":{"rendered":"Eric Martin"},"content":{"rendered":"

[vc_row row_content_width=”grid” show_row_title=”no” title_color=”” title_border_color=””][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”200″][\/vc_column][\/vc_row][vc_section][vc_row][vc_column width=”1\/2″]

\n
\n \"\" <\/div>\n<\/div>[\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Eric Martin<\/h2>\n

[\/vc_column_text][vc_empty_space height=”30″][vc_column_text]Born in 1965, Eric Martin began dancing at the age of nineteen after more than ten years of figure skating. He first met modern’jazz with Rheda Bentefour and Bruno Agati then Philippe Decoufl\u00e9 hired him for \u201cTriton\u201d (1990) then followed an eleven-year collaboration during which he took part in various works: \u201cPetites Pi\u00e8ces mont\u00e9es\u201d (1993 ), “D\u00e9codex” (1995), “Shazam” (1998) and the opening night of the 1992 Winter Olympics. In March 2000, he participated in the recreation of “Meubl\u00e9 sommalement” by Dominique Bagouet with the Bagouet notebooks .<\/p>\n

In 2001, with Vincent Dupont, he danced in \u201cJach\u00e8res improvisation\u201d and participated in the creation of [dikromatik] [dikromatik] in 2003. Then he worked with Christian Rizzo: \u201cEither the well was deep, or they fell slowly because they had time to look all around \u201d(2005) and Mathilde Monnier:\u201c 2008 Vall\u00e9e \u201d(2007),\u201c Tempo 76 \u201d(2008).<\/p>\n

It was in 2008 that Eric Martin was forced to suspend his career because of severe injuries to the lumbar region, he then trained as a costume designer with GRETA for Applied Arts and subsequently designed and produced costumes for the show. living. Among other things, he assists the costume designer Philippe Guillotel on \u201cIris\u201d, a creation of the Cirque du Soleil in Los Angeles, directed by Philippe Decoufl\u00e9. In 2010, Yuval Picq asked him to design the costumes for the play \u201cThe him\u201d created at the CNSMD in Paris.<\/p>\n

From 2011, he moved closer to the choreographic field by reintegrating the Cie DCA of Philippe Decoufl\u00e9 as assistant and rehearsal for the pieces “Octopus” 2010 and Panorama “2012. It was in September 2014 that he returned to the role of dancer, being part of the team for the piece “Contact” by Philippe Decoufl\u00e9.<\/p>\n

In December 2016, he worked alongside director Philippe Decoufl\u00e9 as artistic director for the musical adaptation of Umezo Kazuo’s work “watashi wa Shingo” created at KAAT in Yokohama and produced by Hori pro.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][\/vc_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row row_content_width=”grid” show_row_title=”no” title_color=”” title_border_color=””][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”200″][\/vc_column][\/vc_row][vc_section][vc_row][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text] Eric Martin [\/vc_column_text][vc_empty_space height=”30″][vc_column_text]Born in 1965, Eric Martin began dancing at the age of nineteen after more than ten years of figure skating. He first met modern’jazz with Rheda […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8360,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/martaizquierdomunoz.com\/en\/wp-json\/wp\/v2\/pages\/8433"}],"collection":[{"href":"http:\/\/martaizquierdomunoz.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/martaizquierdomunoz.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/martaizquierdomunoz.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/martaizquierdomunoz.com\/en\/wp-json\/wp\/v2\/comments?post=8433"}],"version-history":[{"count":5,"href":"http:\/\/martaizquierdomunoz.com\/en\/wp-json\/wp\/v2\/pages\/8433\/revisions"}],"predecessor-version":[{"id":8438,"href":"http:\/\/martaizquierdomunoz.com\/en\/wp-json\/wp\/v2\/pages\/8433\/revisions\/8438"}],"up":[{"embeddable":true,"href":"http:\/\/martaizquierdomunoz.com\/en\/wp-json\/wp\/v2\/pages\/8360"}],"wp:attachment":[{"href":"http:\/\/martaizquierdomunoz.com\/en\/wp-json\/wp\/v2\/media?parent=8433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}